Wednesday, December 10, 2008
60 and still Relevant!
The Universal Declaration of Human Rights turned 50 today. We should all take a moment to count the blessings in our own lives and redouble our efforts to help those who are denied basic human rights right here in our own country and abroad.
Tuesday, December 9, 2008
What's Your Story?
I'll put in bluntly; Every School in the country needs to be doing a project like this one recently held at Anderson Ranch. I can count on one hand the number of writing assignments my kids have had in nearly 24 years of public education. Yet, those creative projects have effected them in profound ways. This project teaches empathy, it builds bridges across cultural and class divides, and it honors each student. It's a simple approach, like placing on bandage on a wound, it seems a shame we do it so rarely.
Monday, December 1, 2008
Living Up to Her Name

One of my long time heros is Saint Francis of Assisi. I respect so much about his life including his attempt to stop the crusades by walking to Egypt and petitioning both sides to stop. His mission began with helping the outcast and sick. I have a new hero in the person of Frances Hawthorne of Charlotte, NC. She is an artist who has worked with the homeless and those in prison for years on end. Her art and stories could fill a book. Unfortunately, she does not have a website or blog. She was very willing to share these pictures with me on her past projects. Frances is a great speaker and has engaging, provocative stories to tell. I will pass along any message you send her here.
Here is what Frances shares about the above picture:
"This is the mobile home project we called the Central Park Project. It came with an architectural sign which said "central park project. affordable in town living. by Red Line Realty, estb. 1936". These tents were at parking meters on Tryon Street (center city) between 3rd and 4th street, 2 blocks from the Bank of America building (in Charlotte). We parked them at parking meters and, of course, paid for the parking."
Here is another of her projects with her comments:

"Tiered Justice was exhibited at Blumenthal's Spirit Square art gallery in July of 2006. It is available for exhibition and can be resized to fit various spaces. (Participating) inmates were from the Mecklenburg County jail. Other artists who worked with me on the installation (walls etc) were Malena Bergmann and Ann Kluttz. Neither of them taught at the jail but Malena did come with me for 3 classes to help cast feet. feet are made of ashes and wax.
The words on the walls are the inmates' words--what they'd say if they could be there."
Labels:
Charlotte,
Frances Hawthorne Artist,
Homelessness,
Human Rights,
Prisons
Saturday, November 29, 2008
Eco Drawing Brings You Full Circle
Circular Painting from Fly on the Wall on Vimeo.
Groups like the Barn Stormers have made a name for themselves with time lapse drawing. This project was done on a circular wall and filmed with a rotating camera. Having done a smaller project like this I appreciate the effort and love its blend of good aggressive drawing, voice overs, great filming, and cool music.
I found this video on the Doodlers Anonymous blog.
Monday, November 24, 2008
An unstoppable force

Ahmed Fadaam, an Iraqi refugee working in Elon, North Carolina had his sculpture vandalized on Saturday Nov. 15th, 2008. Someone came into his studio while he was away and attacked a statue of women he was preparing to cast. It is too ironic that Ahmed was at the Visualizing Human Rights Conference in Chapel Hill when this act occured. Add to this that the statue is in honor of women in Iraq who are loosing their freedom through intimidation and violence. It is also too ironic that Ahmed had his art and University art program destroyed in 2003 during the looting of Baghdad. Most people would throw their hands in the air and give up.
Ahmed has repaired the sculpture, after documenting the violence leveled against it. He writes:
"I have fixed the statue and will cast it soon, nothing can stop an artist from doing his work and tell his message, art survived and will always do because of us, the artists. and a bunch of people like those who burned my school in Baghdad in 2003, or those who have attacked my statue now will not stop you or me. All the best and God bless you."
More on this event with pictures of the damage and repair can be seen at: http://www.elon.edu/pendulum/Story.aspx?id=1332
Thursday, November 20, 2008
Project Orange: New Twist on Graffiti
My students love the graffiti art aesthetic. Here are some Detroit artists making a very different statement with orange paint.
Tuesday, November 18, 2008
Iraq, Paper, Scissors
I recently read a quote that said there are only two kinds of people; those who create, and those who destroy. I had been thinking about that statement a lot when I came across this project on my friends' blog Groundswell. These Iraqi veterans are reinventing themselves in a profound way. This is a touching and thought provoking project.
He Showed the Way for Others
Joseph Bueys showed the way for many activist artists. His belief in the healing value of art, his funny little performances that come with such wise content, and his life affirming narrative that buries the monster ego of war, are all sign posts that point us in the right direction. This video has dialogue that is hard to hear but is still worth watching.
Worth Reading
Found this on my friend Roch Smith Jr's website. Worth repeating.
The Mountain Disappears
By Leonard Bernstein
I believe in people. I feel, love, need and respect people above all else, including the arts, natural scenery, organized piety, or nationalistic superstructures. One human figure on the slope of a mountain can make the whole mountain disappear for me. One person fighting for the truth can disqualify for me the platitudes of centuries. And one human being who meets with injustice can render invalid the entire system which has dispensed it.
I believe that man's noblest endowment is his capacity to change. Armed with reason, he can see two sides and choose: he can be divinely wrong. I believe in man's right to be wrong. Out of this right he has built, laboriously and lovingly, something we reverently call democracy. He has done it the hard way and continues to do it the hard way--by reason, by choosing, by error and rectification, by the difficult, slow method in which the dignity of A is acknowledged by B, without impairing the dignity of C. Man cannot have dignity without loving the dignity of his fellow.
I believe in the potential of people. I cannot rest passively with those who give up in the name of "human nature." Human nature is only animal nature if it is obliged to remain static. Without growth, without metamorphosis, there is no godhead. If we believe that man can never achieve a society without wars, then we are condemned to wars forever. This is the easy way. But the laborious, loving way, the way of dignity and divinity, presupposes a belief in people and in their capacity to change, grow, communicate, and love.
I believe in man's unconscious mind, the deep spring from which comes his power to communicate and to love. For me, all art is a combination of these powers; for if love is the way we have of communicating personally in the deepest way, they what art can do is to extend this communication, magnify it, and carry it to vastly greater numbers of people. Therefore art is valid for the warmth and love it carries within it, even if it be the lightest entertainment, or the bitterest satire, or the most shattering tragedy.
I believe that my country is the place where all these things I have been speaking of are happening in the most manifest way. American is at the beginning of her greatest period in history--a period of leadership in science, art, and human progress toward the democratic ideal. I believe that she is at a critical point in this moment, and that she needs us to believe more strongly than ever before, in her and in one another, in our ability to grow and change, in our mutual dignity, in our democratic method. We must encourage thought, free and creative. We must respect privacy. We must observe taste by not exploiting our sorrows, successes, or passions. We must learn to know ourselves better through art. We must rely more on the unconscious, inspirational side of man. We must not enslave ourselves to dogma. We must believe in the attainability of good. We must believe, without fear, in people.
The Mountain Disappears
By Leonard Bernstein
I believe in people. I feel, love, need and respect people above all else, including the arts, natural scenery, organized piety, or nationalistic superstructures. One human figure on the slope of a mountain can make the whole mountain disappear for me. One person fighting for the truth can disqualify for me the platitudes of centuries. And one human being who meets with injustice can render invalid the entire system which has dispensed it.
I believe that man's noblest endowment is his capacity to change. Armed with reason, he can see two sides and choose: he can be divinely wrong. I believe in man's right to be wrong. Out of this right he has built, laboriously and lovingly, something we reverently call democracy. He has done it the hard way and continues to do it the hard way--by reason, by choosing, by error and rectification, by the difficult, slow method in which the dignity of A is acknowledged by B, without impairing the dignity of C. Man cannot have dignity without loving the dignity of his fellow.
I believe in the potential of people. I cannot rest passively with those who give up in the name of "human nature." Human nature is only animal nature if it is obliged to remain static. Without growth, without metamorphosis, there is no godhead. If we believe that man can never achieve a society without wars, then we are condemned to wars forever. This is the easy way. But the laborious, loving way, the way of dignity and divinity, presupposes a belief in people and in their capacity to change, grow, communicate, and love.
I believe in man's unconscious mind, the deep spring from which comes his power to communicate and to love. For me, all art is a combination of these powers; for if love is the way we have of communicating personally in the deepest way, they what art can do is to extend this communication, magnify it, and carry it to vastly greater numbers of people. Therefore art is valid for the warmth and love it carries within it, even if it be the lightest entertainment, or the bitterest satire, or the most shattering tragedy.
I believe that my country is the place where all these things I have been speaking of are happening in the most manifest way. American is at the beginning of her greatest period in history--a period of leadership in science, art, and human progress toward the democratic ideal. I believe that she is at a critical point in this moment, and that she needs us to believe more strongly than ever before, in her and in one another, in our ability to grow and change, in our mutual dignity, in our democratic method. We must encourage thought, free and creative. We must respect privacy. We must observe taste by not exploiting our sorrows, successes, or passions. We must learn to know ourselves better through art. We must rely more on the unconscious, inspirational side of man. We must not enslave ourselves to dogma. We must believe in the attainability of good. We must believe, without fear, in people.
Friday, November 14, 2008
Slum Dog Millionnaire
Every now and then a movie comes along with a window into another world. In the US, we usually expect space ships and aliens to take us to a new place. This movie does it with a mix of Hollywood, Bollywood, and documentary approaches to show the rest of us life in modern India. When plane tickets to travel overseas are rising out of reach for most, a ticket to this movie is a bargain passport.
Thursday, November 13, 2008
Our Daily Bread

Official Website for Our Daily Bread
Director Nikolaus Geyrhalter has made a film that is as cool and unblinking as the machine that is our industrial food production industry. Cute little chicks are seen moving on conveyor belts like so many soda bottles, pigs legs are lobbed off and intestines separated by bored, machine like workers. Devoid of dialogue the films moves from one scene to the next engrossing as it is gross. In some ways this film shows just how natural our abuse of the natural world is; actions taken without remorse, just one life form feeding on another. Whether we fit into the web of life is another question. Watch this for a window into a world that ends on all our plates.
This excerpt starts out slow but stick with it. You will be surprised at what emerges from this sterile lab-like room. More excerpts are available on You Tube.
Tuesday, November 11, 2008
Speech as Art
This "special comment" transcends its medium to become art- pure and simple. I place it beside MLK's "I have a Dream" speech.
Friday, October 31, 2008
Prix Pictet Contest Winners- Photos on Global Water Crisis

Photo by Roman Signer
Check out this powerful video that shows the winning photos from the new sustainability photography award:
http://news.bbc.co.uk/2/hi/entertainment/7701187.stm
Sunday, October 26, 2008
Long Silent Voices Uniting in Chorus

I took a group of students to DC this October and one of our stops included The Torpedo Factory. Wandering through the complex and around the thousands of children and their parents actively making art during an open house, I discovered woodcut printer, Rosemary Covey, and her 0 Project (That's "Zero" Project.) Starting with a single image of a person speaking out / howling in protest / or being silenced - you choose, she has created an ever evolving installation and performance piece that is inspiring and exciting. She writes that the projects goals include:
."....express(ing) voicelessness but also the inverse, a howl of protest. The project demands response and response has come from sources worldwide—from musicians, writers, artists, photographers and others. In a very real way, their reactions are extensions of the artwork itself. And as the project develops, their reactions build on each other as well as on the artwork. One response is modified or amplified by another, and so on. Inevitably the project multiplies in the same endless manner as the original 0 art work. The project is designed to demonstrate that when art acts as a catalyst and invites responses, the ensuing dialogue becomes a form of art in itself."
I hope Covey can bring this project to the next Visualizing Human Rights Conference at UNC-Asheville next November. Until then check out the project's progress at http://rosemaryfeitcovey.com/0/
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